![]() This is a unique and powerful mixing tool, which puts the PRO2 in a class of it’s own for innovation and usability.ĭoes anyone have a point here with quoting what i said? Yamaha have licenced the lake, no recreated it. When the PRO2 is in Advanced navigation mode, and MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This quote from Midas website explains much better: MCA groups (Mix Control Association groups), operate similar to VCA groups, but are specific to the selected mix. When you’re in main mix mode your DCA works like all we know it does, when you select monitor mix ( any pre-fader bus) your DCA changes function and is capable to control all included channels in same proportion as for main mix but sending the bunch of signals to appropriate monitor mix- the way to get all drums to keyboard monitor, you select next monitor mix and you send all drums to percussionist monitor, select main mix and DCA is back to usual state. I do know about possibility to run auxes postfader, but this time I was looking at typical corporate event when monitors are being mixed from FOH and DCA function is being different for each selection. I’m sure I did’t make myself clear enough. i do not have the illusion that this is perfect system in the world, but it makes my work much more easy and i find here the new approach to whole process of the work that wasn’t found in same systems.įeed your auxes post fader and use DCA’s as you will at FOH. Please don’t take it personal, in my opinion the future improvements have to be related with visualized objects that have no hierarchy at all, and of course configurable to your style of work.Īll my remarks are based on experience of working with digital consoles at last 8 years and 2 of them I’ve spent with iLIVE,working up to 250 shows a year in different places including US,Canda,Germany most of them in Russia. such suggestion can only make the person who have professional skills in soft technologies, and your solution have reminded me good old “windows commander” style program. ![]() You suggestion dragged my attention and in your reply i found the answer why. Thank you for reply, and i beg you a pardon for my overheated style. However being well aware of software engineering and embedded programming, I opted for a solution I would find useful and less complicated to implement. In a perfect world I could configure scenes or shows in most any heirarchy I choose. Since digital boards haven’t been around a century I’ll have to assume you’ve a flair for the dramatic. Perhaps I’m misreading why you seem to be interested in downplaying others’ suggestions. I think that only thing that scene needs is preview, the tree structure is past century.and i sincerely hope that in the future there will be no difference between show or scene and it will be only one BIG SCENE that loads in a moment and has preview fumction! anyway were are some other ways to override this function mentioned in other posts. The example from midas seminar it is really useful for monitoring & +1 to make this function in iLive. in case of Delay efx only working with the returns gives you total control on it) Yes, thank You Midas! Seems to be exactly what I was suggesting 8 posts agoĭear ALHUND last time you were talking about this function your example was related to reverb, i realize that such function for reverb is unnecessary because you can send instruments and vocals to different reverbs and work with the returns. For example you have selected someone’s monitor mix and he wants bit more drums, so instead of turning up channels one by one you can turn up DCA fader. There is mode when you’re able to use DCA fader to send assigned channels into aux. I’ve just came back from Midas PRO2 seminar and I think they made an interesting thing about DCA (or control groups as they call them).
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